Deadline Reminder for 9.24.12

Due Monday: near final constructions built and test shots taken. Tile up your test shot full size ( 24 x 36) by printing it on individual 11×17 sheets on the B&W laser. Instructions below. Be prepared to discuss during critique at beginning of class. 

TILE PRINTING

Open your image in Photoshop

Go to IMAGE > IMAGE SIZE and write down the width & height of the image.

Leave Photoshop open.

Open InDesign

Go to FILE > NEW > DOCUMENT

Change the page size to the width & height of your image (that you wrote down), and click OK

Using the selection tool in Photoshop, drag your image from Photoshop onto your InDesign page and align the edges.

Go to FILE > PRINT > SETUP > make setting as follows:

Scale: W 100% H 100%
Paper Size: Tabloid
Check the box next to Tile
Tile: Auto
Overlap: 1 in

 

Click Print > Then go to the P-Counter server to release the print.

Your tiles will print with 1” overlaps.

Now you can use the light table to match and tape them together.

Take great care to craft your tiling well.

Deadline Reminder for 9.19.12

Deadline Reminder for 9.19.12

Constructed Image: Rough constructions ready for test shots in class. Priority given to getting type (name and quote) produced and in place. If you are not able to build your construction in studio and are working outside of studio, please have test shots ready for review at beginning of class.

Deadline Reminder for Monday, 9.10.12

Deadline Reminder for Monday, 9.10.12

Constructed Image: Rough Thumbnail Sketches. Explore composition ideas via rapid thumbnail sketches. At least 20 thumbnails.

Color Harmony: I have sent a dropbox invitation to all of you via your kcai emails. Please export a multi-page PDF of your keynote presentation and upload it to the appropriate folder.

Project 2: The Constructed Image

Develop a construction, to be photographed as a single image in the studio, that describes a non-fictional person who died before 1984—not a graphic designer or visual artist. Consider writers, musicians, actors, politicians, etc. The image will be used as a promotional exhibition banner on the facade of a “hall of fame” museum. Use visual elements that define that person, his or her life’s work, what they are famous for, etc.

You will also explore a new method of image-making, photographic story-telling, lighting and production.

A SUCCESSFUL SOLUTION WILL CONSIDER, EMBRACE & EXHIBIT:

• creative image-making appropriate to the objectives (above)
• manipulation of composition, cropping, color, and lighting to affect image meaning and perception
• creative use of the frame
• the project specifications (below)
• impeccable physical and technological craft

SPECIFICATIONS

format: single sheet, printed one side, vertical or horizontal orientation, and accurately trimmed to size

size: must be a minimum of 24 x 36 inches

typeface: any appropriate typeface for your person, or one created by hand. type must be added physically into the space and photographed with the objects. (no digital type added later)

required text: the person’s name (first/last/or both) as the exhibit title; a phrase or quote attributed to the person

image: use symbolic elements only; use a minimum of 3 elements in your composition in addition to the required text; and consider the whole canvas

output: plotter. check with output center for turnaround times, usually 24–48 hours. plan accordingly.

PROCESS

1. Determine your subject. Complete biographical research, and write a short summary of your findings on your blog.

2. Collect elements and inspiration, then create a digital inspiration board. Post it on your blog and be prepared to share your findings in class.

3. Explore composition ideas via rapid thumbnail sketches. At least 20 thumbnails.

4. Sketch your best concept on white butcher paper (full scale) and be prepared to discuss your concept for your constructed image.

5. Rough built compositions, full size tiled B&W

6. Finals, printed actual size full color, trimmed to size.

7. Render your “banner” onto the provided museum facade.

Revised Schedule

Wednesday, August 29

Color Harmonies: in progress. Individual meetings to discuss color combos.
Assign: Project 2: Constructed Image. Initial subject ideation and research during class.

Monday, September 3: NO CLASS: Labor Day

Wednesday, September 5

Final Presentation: Color Harmonies: via projected keynotes.
Due: Constructed Image: Subject selected and Biographical Research completed. Summary posted to blog. 

Deadline Reminder for Monday, Aug 27

Due: Color Harmonies Photo Sketches:

exploration to find your subject or theme. Try testing all six of the color harmonies and have at least three rough shots for each harmony (thats a total of at least 18 rough shots). Be sure to incorporate the use of each of the following in at least one image each:

– selective focus (shallow depth-of-field)
– all sharp focus (deep depth-of-field)
– motion blur

Post your images in a blog post on your new blog as a gallery, along with a brief written statement about your exploration. We will project images off of your blog in class, so be prepared to discuss your exploration in class.

SOME HELPFUL ARTICLES:

Cambridge in Colour: Tutorials: Camera Exposure

Depth of Field:
Cambridge in Colour: Tutorials: Depth of Field
How to use depth of field to take better pictures

Shutter Speed:
Cambridge in Colour: Tutorials: Camera Shutter Speed
How to Capture Motion Blur in Photography
How to: A Primer on Long Exposures 

 

 

Your New Blog URL

Your New Blog URL

If you haven’t already done so, once you’ve created your Blog, please enter your name and the URL in the comments below so that I can create a link to it on this blog.

Thanks, Ryan

Project 1: Color Harmonies

DESCRIPTION

Using the photographic medium, develop a series of six photographs demonstrating examples of the six color harmonies discussed in lecture: complementary, analogous, accented analogous, triad, split complimentary, and tetrad. The six photographs should hold together as series using common thematic elements or subject matter. You may photograph scenes from your everyday environment or you may choose to arrange elements to photograph.

PROCESS

1. Photo Sketch: exploration to find your subject. Test all six of the color harmonies, incorporating the use of the following in at least one image each:
– selective focus (shallow depth-of-field)
– all sharp focus (deep depth-of-field)
– motion blur
*Be ready next class to project your images.

2. Refine Set: using feedback from critique, refine your photographic set, reshooting and replacing photos as necessary.

3. Presentation: produce a keynote slideshow to present your final set, using the provided keynote template. Be prepare to project your keynote in class. For each photo in the set, sample color swatches of the color harmonies used. Your keynote will have a total of seven slides, as outlined below:
– overview with all six photos tiled onto one slide
– complementary
– analogous
– accented analogous
– triad
– split complimentary
– tetrad

Classroom Manifesto

Addendum to the official course syllabus

Show work every day.

In order to create an atmosphere in which your work is constantly improving and evolving, we must create tight feedback loops. I will work to create daily feedback opportunities for you. It’s your job to make sure you are providing significant evolutions in your work each class to keep the process fed. The students that show advances in work each day are the ones that get the most learning out of my class. Although you will have designated class times to work on projects, you are also required to work on projects outside of class time. If you feel like you are stuck or spinning your wheels, please come to me asap or shoot me an email.

Participation is Attendance. 

You are only counted as present when you have participated for that day. Participation is interaction via individual meetings, small group discussions and group crits. Different students feel comfortable in different modes of interaction, so a variety of critiquing methods will be used in class to enable everyone to give feedback. Class time is studio time, and you are expected to be in class working  for the full time unless otherwise instructed.

Let the Process be your Guide.

With each project, you will be required to produce a set number of thumbnails, then revised sketches, by hand. Only then can you move on to comps. Sketches are rough, quick hand drawings. Comps are computer generated roughs. Don’t say that you can’t draw. Sketching is not about creating nice drawings, its about ideation. Work rapidly. Don’t spend too much time on any one thumbnail. When developing comps, you will still be required to produce a set number of concepts (aka ideas or directions). Two of the same layout with the type in slightly different places are not different concepts, they are versions.

Document everything. Keep it all.

At the end of every project you will turn in a process PDF to me with all inspiration sketches, comps, etc. Don’t forget to keep and document these as you go. Record anything that is pertinent to the process such as research or mockups. Also, I may ask at any time for you to revisit previous versions of your designs. Do not throw away or save over any files during the process.

Thinking vs Doing. 

A designer’s job is equal parts thinking and doing. Design is about communicating and problem solving. Don’t get too caught up in the doing up front—that is, the graphic part of graphic design. Doing consists of the manifestation of how we do things, like kerning or photoshopping. When we are doing, we are too close to the work to see the big picture. That’s why the process calls for a healthy dose of thinking before we even sit down at the computer. Thinking can take form of researching, sketching, discussions or even wildly slapping post-its on a wall. The product of thinking is often more verbs, like getting people to care about an issue or to buy a product.

Course Evaluation Criteria. 

After each project has been completed, I will provide an evaluation sheet that averages a grade for the project (on a 100 point scale) and provides final feedback on the overall process. Keep in mind that grades are not graded only on aesthetics. Participation and following the design process correctly are weighed just as equally. Items that will be evaluated for grade include:

OBJECTIVES
Ability to meet objectives outlined in the project. Exhibits learning through risk taking and considered decision making. Ability to creatively solve problems within parameters.

PRESENTATION
Attention to detail and sense of craft. Level of quality achieved in final presentation design, and clarity of project presentation in final critiques and reviews.

PARTICIPATION
Ability to articulate ideas in group settings, with the instructor and in writing. Contribution to a positive and critical atmosphere. Maintains a professional and respectful demeanor.

PROCESS
Consistent level of effort. Demonstrates lateral thinking and ability to use the process from research and concept to refinement and completion. Process is divided by daily progress (evidence of progress made between classes) and project documentation.