Final Deadline Reminder

Final Deadline Reminder

Monday, December 3: Last Day of Class. Class starts late at 12:30 due to Senior presentations. Work in class on Behance site and photos of any remaining portfolio pieces.

Wednesday, December 5: No Class. Please post a link to your Behance portfolio on your blog by end of day.

Reminder for This Week

Reminder for This Week

For the next few classes, we are going to be working on preparing your work to show well in a portfolio. Please bring your cameras and physical samples of work from any of you classes to photograph.

Also, if any of you have an iPad, please bring it with you so we can use it to shoot our digital book covers.

Reminder: Visual Interview Size Change

As mentioned in class, I have changed the format size of the Visual Interview project:

A 2-sided French fold piece. You may choose between a square or a rectangular format. Rectangle: unfolded dimensions are 11×17 (four 5.5×8.5 quadrants). Square: unfolded dimensions are 11×11 (four 5.5×5.5 quadrants). To achieve full bleed, you should print these on a 12×18 sheet of paper.

Today: Rough printed and folded mockups.

Monday, Nov. 19th: Final Presentation of full color mockups.

Ryan will be late today

Hey All,

Got stuck in a big traffic jam on the way back from St. Louis this morning. Go ahead and start critiquing roughs in small groups. I’ll be about an hour late.

Ryan

Deadline Reminder for 10.31.12

Deadline Reminder for 10.31.12

Visual Interview: Type out and edit your interviews. As you go through, identify symbols and other ideas for  imagery. Pull inspirational images to inform your concepts.

A Few More Visual Interview Examples

Here are more photos of past examples of this project, although the format was slightly different and there was absolutely no type in these examples. These show good examples of how images can be the dominant tool for storytelling. Be sure to investigate all the semiotics and methods of image making you have learned so far in this class. Sign, Icon, Index, Symbol. Found images, constructed images, manipulated images.

Project 4 : Visual Interview

I this project you will interview a classmate, write a narrative that describes them—their personality, history of experiences, virtues, hopes and dreams, etc—and using photography and limited text, create a printed piece that tells their story as a visual/tactile experience. 

Format
A 2-sided French fold piece. The unfolded dimensions are 14”x14” (four 7”x7” quadrants)

User experience
This piece is to be experienced in four parts: (1) fully folded, like a book cover, (2) first unfold, like a 2-page spread, (3) fully open, revealing all four quadrants of the inside, and (4) flipping the piece to reveal all four quadrants of the back.

Your story will literally unfold.

Text
You will be required/allowed to use 1–3 text boxes, somewhere in the piece to set your written narrative about your subject. For this, you will use one body appropriate typeface. No expressive type will be allowed in this project.

Page layout
Though your photographic images will be edited in Adobe Photoshop, the layout must be done in InDesign and output as a PDF for the Print Center.

Challenges in this project
> photography as visual narrative
> non-linear storytelling
> analog/manual experience design
> complex layout and creative use of white space
> multiple orientations of imagery and text
> technical & manual craft
> balance & dynamics of composition
> type/image and image/image relationships
> activate all 8 panels

Process

Step 1: Select a partner to interview and create interview questions.
Step 2: Edit written interview and assemble photo library.
Step 3: Rough Sketches: at least 10 thumbnails
Step 4: Rough Mockups: 3 directions
Step 5: Final Full Color Mockup

This project should display evidence of all principles and techniques learned in the three previous projects. 

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Deadline Reminder for 10.22.12

Deadline Reminder for 10.22.12

Final Presentation: Project 3: Illustrating Ideas.

See the dropbox folder for final templates. You will have 7 pages in your final presentation.

Page 1: Final three selected images with type of story title and author included.
Pages 2-4: One page per story. Three small image thumbnails with final selected image on right. No type on images.
Page 5: Place thumbnails of final covers in ipad bookshelf format (mask areas provided in keynote).
Page 6: Recreate layout of one story to fit in featured book area at top, place thumbnails of final covers below (mask areas provided in keynote).
Page 7: Place thumbnails of final covers, and replace titles in listing next to thumbnails with correct information. Photoshop document provided with editable fields. Edit, save as JPG, then replace into keynote.

Have your final presentation placed into the dropbox folder by the beginning of class. Keynote or PDF format.

Also make sure to post all process documentation on blog by beginning of class, including your final slides from presentation.

Deadline Reminder for 10.8.12

Deadline Reminder for 10.8.12

Due: Illustrating Ideas: Concept Sketches.
27 6×9 sketches, 3 per theme, per story.

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Project 3: Illustrating an Idea

PART 1: CONCEPTING AND ILLUSTRATING STORY THEMES

PROBLEM
Communicate/illustrate, through symbolism and metaphor, the key themes of three short stories.

PROCESS
1) Start by selecting three short stories from a single author. Below are some suggestions. You may propose others if you like.

David Sedaris
Margaret Atwood
Kurt Vonnegut
R. K. Narayan
Ray Bradbury
Jules Verne
William Faulkner
Jorges Luis Borges
Sam Shepard
Virginia Woolf
Eudora Welty
Kim Addonizio
Gretchen McCullough
Nathan Englander
Sherman Alexie

2) Read all three stories by that author, taking notes about the themes you notice.

3) Determine at least three key themes in each story, and blog about them by next Wednesday, Oct 3. In your blog post, include your thoughts on ways in which you can visually illustrate each theme.

I will be reading and grading your posts.

4) Bring all three stories (printed) to next class and be prepared to discuss both the stories and the key themes you discovered.

A SUCCESSFUL SOLUTION WILL CONSIDER, EMBRACE & EXHIBIT:
Good use of symbolism and metaphor
Imagery as a series
Impeccable technical craft
All of the principles discussed and used in the two previous projects

Due on Monday, October 8th:
twenty-seven 6″wide x 9″high concept sketches (3 different concepts per key theme) of photographic imagery designed to illustrate each key theme.